Dark Stream School

 

 

Parts of the Broadsword       

Blade

                The working end of the sword.

Tip

                The point of the sword.

Spine

                The non-sharpened top of the blade.

Cheek

The flat side of the blade.  The cheek typically has blood grooves cut into it.  These reduce the weight of the sword while maintaining strength and rigidity.

Edge

                The sharpened bottom of the blade

Hilt or Guard

                The round disc at the base of the blade that protects the hand

Handle

                The cylinder by which one typically grips the sword.

Butt

                The end of the handle where the flags are attached.

Grip

                Where you’re holding the sword, typically the handle.

Sword has hilt and blood grooves and have a more realistic feel. Real swords (steel killing swords) should only be touched by their owner or the Sifu. Wooden swords don't retain chi and thus don't have this restriction. In addition, wooden swords can be knocked together without causing too much damage.

Short weapons are always held in the left hand to begin any Tai Chi form.

 

Broadsword Drill.

Stand in right Outside Empty stance with sword tip by the knee and left hand extended in a Willow Leaf palm.

Draw the left hand to the right axilla and draw the sword to an inside wing. Circle the blade around the body. When it is behind you, block out with the left palm and step out into a left Bow and Arrow stance.

                               

Slash horizontally across the body to the left with the blade while lifting the left hand to a temple block. When the sword reaches the left side of the body, flip the edge by pronating the wrist so that it faces away from you.

                                

Slash horizontally across the body to the right. Scoop with the left hand and raise it to the right axilla while performing an outside wing with the blade. Step to a right Outside Empty stance. Continue to circle the blade around the body.

                                 .

As it passes the right shoulder, strike out with the left palm. Return the sword so that the tip is near the right knee. You are now in your original stance.

        

T'ai Chi Ch'uan 13 Broadsword Techniques

 

I want to introduce you to the fundamental Tai Chi. broadsword techniques.  Just as the Jien has 13 fundamental energies emerging from its structure, so to the Dao.  Recall that 13 is a recurring theme in Tai Chi related to the 8 gates and the 5 steps. All the Tai Chi weapons are said to have a set of  fundamental energies manifested in many of the form postures.  Each weapon has energies unique to its properties.   These energies, distilled for the broadsword,  are listed below.   

 

T'ai Chi Ch'uan 13 Broadsword Techniques
13 Taiji Dao Techniques
 

No.

Name

Translation

Action

1.

K’an

Chopping

Hacking.  Slash with the tip of the sword by extending the wrist

2.

To

Cutting

Duo. Mincing, to attack the wrist with a slicing motion

3.

Ch’an

Slicing

Che. Drag the sword across the opponents body

4.

Chieh

Intercepting

Poking. To meet an attack with an attack

5.

Kua

Parrying

Deflect the incoming thrust

6.

Liao

Stirring Up

Washing.  Drop the sword point and carry the sword in a vertical cylinder around the body.

7.

Cha

Piercing

Stabbing, Thrusting.  Jab with the tip of the sword

8.

Lu

Clawing

Scraping. Luo.  Strike in a manner to pull.

9.

Pi

Splitting

 To attack while holding the wrist flexed.

10.

Ch’an

Binding

Juan – Wrapping. Chan - Wrap, coil, wind around, bind up

11.

Shan

Fanning

Tan, to open or spread out, uppercut slash

12.

Lan

Obstructing

 To block with the sword

13.

Hua

Shaving

Press the inverted blade forward, left hand in support.

 

 

But these “ten thousand things” are manifestations of the “balance of opposites” which are ultimately reconciled in the void.  This is the meaning of the practice of Tai Chi.  While wielding the broadsword, as you relax, extend, and rotate to achieve the return to Wu Chi, you’ll recognize these energies.

 

1.        K’an.  Chopping is the motion of swinging the sword and allowing the wrist to break.  It uses all of the momentum of the sword to hit the target.  The last two moves of the broadsword combat form illustrate this.  One partner chops the ankle and the other partner withdraws the ankle in a rooster stance while chopping the wrist.

 

         

 

2.        To.  Cutting can also be translated as mincing.  It is a slicing attack to the wrist.  Basically, cutting means to place the sword on the wrist and drag it.  In the broadsword combat, this is the response to the opening move.  As the one partner opens the form with a splitting attach to the shoulder, the other partner sidesteps and minces his wrist.

3.        Ch’an.  Slicing is the action of drawing the sword across the opponent’s body.  This is commonly done with the left hand in support.  In the combat forn, the next-to-last sequence starts with a slicing attack to the throat.  In this case, the left wrist supports the right wrist.  Generally this is done when the arms are already extended and the momentum of the blade is lost. 

      

4.        Chieh.  Intercepting is also translated as poking.  An attack which cuts off the opponent’s attack is the essence of intercepting.  Near the end of the combat form when the one partner chops at the ankle and the other fades to a rooster and attacks the chopping wrist, that is intercepting.

5.        Kua.  Parrying  involves meeting the attack and redirecting it or deflecting it.   In western fencing, a parry is almost always followed by a riposte or counterattack.

  

 

      

6.        Liao.  Stirring up.  Also called Wash.  The Chinese see dropping the sword tip and lifting the handle so the sword is held vertically and then moving it in an arc to the left or right as akin to washing the sword.  Some folks see bears in the stars.  Go figure.  This occurs in about the middle of the broadsword combat form.  As one partner thrusts to the waist, the other partner drops the tip of the sword, circles underneath it to complete the Wash move and then minces the attacker’s wrist.

                          

7.        Cha.  Piercing is to stab with the tip of the sword.  In the broadsword combat form, after the initial exchange, one partner advances four steps with the sword held before him or her, tip forward and blade up.  At the end of the advance he or she thrusts for the partner’s heart.  This is piercing.

          

8.        Lu.  Clawing or Scraping.  This attack is a pull with the blade.  It’s like using the sword as a draw knife against a piece of wood.  Suppose an opponent is attacking upwards from below.  Support the tip of the sword and drag it to you against the attacking arm. 

        

 

                

9.        Pi.   Splitting.  In a splitting attack, the wrist is held flexed and does not break.  It uses the momemtum of the arm swing combined with the sharpness of the blade to inflict its damage.  The opening move of the combat form is a splitting attack.

10.     Chan.  This is the second chan in the list, but given the tones used in Chinese, this is a completely different word.  It means to wrap, coil, wind around, or bind.  I take the meaning to be the same as Jie in the straight sword.  Wrap the tip around your opponent’s wrist.  In the combat form,  after the first thrusting attack, the counter is to shift to an empty stance and wrap the attacking wrist.

           

11.     Shan. Fanning is an uppercut attack to the body from underneath as done in the solo form “Spread Slanting the Sword as the Walking of a Duck.”

               

12.     Lan.  Obstructing is the method of holding an opponent’s weapon at bay with the cheek, blade or spine of the sword.  You check the momentum of the weapon long enough to evade and set up a counter.  Low Block out of the stick alley’s is a good case in point.

                       

13.     Hua.  To Shave.  Again, you are at a point where you cannot use the momentum and swing to good advantage.  So you place the weapon against the opponent and push like shaving with a wood plane.  The next to last move of the combat form is an example.  Your opponent attacks with a cut to the throat.  You place the blade on his wrist, support the tip with you left hand and push into his wrists, shaving the flesh from the bones.

        

 

Tai Chi Dao - Broadsword Form

 

1.Right Hand Takes Over The Sword, In Seven Star Form, Sitting On A Tiger

2. Soar Up As To Separate Apart, Expanding Elatedly.

3. Look Left And Right, Split The Sword.

4. Push Outward, Reverse Inward As The White Crane Spreading The Wings.

5. Draw The Sword As The Wind Blows The Lotus Leaf

6. Fairy Lady Playing Badminton, Posturing In Eight Directions.

7. Golden Rooster Standing, Displaying The Sword At Will.

8. Jump Up Vigorously, Hitting The Tiger.

9. Spread Slantingly The Sword As The Walking Of A Duck.

10. Turn The Sword To Push The Boat (Downstream) (With The Current).

11. Three Sounds Of The Sword Between The Chest And The Waist.

12. Sword Splits The Water Left And Right With A Jump.

13. Withdraw The Sword As The Phoenix Returns To The Nest.

There are only 13 postures in the Broadsword form. Each has 3 or 4 moves. It is about as long as the Gien Wha Tai Chi Chuan short form.

Form Corrections

Right Hand Takes Over the Sword, in Seven Star Form, Sitting on a Tiger

Start in Standing Position, feet shoulder width apart. Hold sword handle in tigers mouth edge facing away and spine touching the axilla.

Circle the left arm to shoulder height, sink into a right empty stance and circle arm at the elbow so that the handle is in the center of the chest, edge up, tip pointing to the left. The right hand forms a fist at the right hip.

                             

 

Step out to 7 Star posture, a left empty stance with a right punch under the handle. Punch should be directly under the sword guard.

           

Open the right  hand  and step back to a Bow and Arrow stance with eyes following the right hand as it sweeps down and back to the shoulder.  Hilt comes out of the mouth and circles to left hip while shifting to a right empty stance.  Fling right hand up to temple block.  The hand flings out diagonally to a temple block. Imaging throwing a razor sharp shuriken that must be held flat in the palm. Fling should be between the vertical and the horizontal extremes.

                        

When striking with sword, the strike is done at shoulder height.

Extend the left, sweep with the right then the left to complete both circles with the right hand resting on the sword handle. Push both elbows out when holding the sword.

From the "White Crane" posture, circle the sword as in Brush the Knee, turning the shoulders to the right so that the right palm passes the left elbow. Cover hilt with right palm at hip.

          

 

Soar Up to Separate Apart, Expanding Elatedly

Step out to left bow and arrow stance and strike with sword butt.

 

Turn the left toes out and  step up to a left Lazy Rooster stance. Arms block at the sides, sword is in the right hand with the edge pointing to the right. Blocks are low, hands below the waist, knee above.  Left palm out, more outward and forward angle on the sword hand.

           

Step into left Tai Chi stance, blade tip and left hand above the head.

Push forward into a bow and arrow stance diagonal to the form line and stab at heart level with the tip. Left hand takes the pulse of the right.

             

Step out left to a right empty stance, circle the  right fist heart to hip, covering it with left palm.

Step out to Bow and Arrow, block with the left, stab to heart.

         

Turn the left  toes out and step out right to a left Empty stance, circle the blade to the left side and draw the sword back to the left ear. , Step first to an outside empty  then  lift the sword to defend against an attack in alley 1. Out step right then left  to left  Bow and Arrow, slicing with the blade. Sword attitude remains constant from this point to the end of the move.

                            

 

Step back 2 steps to a right Lazy Rooster. Raise the knee higher and bend weighted leg further in the Lazy Rooster.  Step forward to a left bow and arrow and press with edge.

                      

Look Left and Right, Split the Sword

Left foot turns in to 45 degrees while lifting the sword overhead. Sweep the right foot to a Rooster stance. Look right, step right to a right High Tiger.  Lean arms and torso  to the right. Sweep up with left foot to a  right Rooster stance and slash downward. Look left.

                           

                

The shin sweeps perpendicular to the ground when going into the Rooster stance. When "looking right", step and lean into High Tiger before slashing with the sword.

 

Push Outward, Reverse Inward as the White Crane Spreads its Wings

Step left to a Bow and Arrow stance. Sweep the sword upward. Step right while bringing the edge up to shoulder height

                .

Sit back to a left Outside Empty.  Withdraw the sword to cut overhead with left hand guarding the wrist. Step right then left to a while slicing with the sword. Pull and cut. This move is a double tap consisting of the guard, the pull, and the cut.  The wrist is aligned with the shoulder and the palm strike is at shoulder height. Note that there are two distinct  moves: The first is the cut with the hand guarding the wrist. The second comes from slicing and pushing with the guard hand.

                    

Draw the Sword as the Wind Blows the Lotus Leaf

The turn around and the step and thrust are two distinct moves. Pivot on the right toes and left heel to an empty stance. At the same time, allow the sword to pivot over the head, edge up and then bring the handle down to the right shoulder.  Support the sword butt with the left hand.  Then step and thrust with a shoulder strike to a right Bow and Arrow stance.

                       

Extend the thrust to the full reach of the arm while sweeping to a right Rooster stance with the left hand guarding the shoulder.

Fairy Lady Playing Badminton, Posturing in 8 Directions

Step left and palm strike into a right Bow and Arrow stance.  From the Single Whip posture, turn left toes out 45 degrees.

                        

Pull the left thumb to the axilla, turn the left toes out.  Out step right.  Drop the sword tip and circle the blade to the left shoulder (inside wing).

                      

Step to left Bow and Arrow stance while blocking with the left hand and circling the blade behind the head. Split from overhead and temple block left

 

Drop sword spine to the groove between the stylus of the radius and the pisiform bone in the base of the hand. The elbow and wrist are bent and the sword is in the ulnar fossa. Step back to a lazy Rooster stance and draw in the sword so that the left hand passes inside the thigh of the upraised left leg.  Press forward to a bow and arrow stance.

    

From the press, sweep the left hand to the right axilla and pivot 180 degrees to the right while cutting with the sword in an outside empty stance. Push out of the right toes and pivot on the left heel.  Continue the cut while stepping in to a left inside empty and continuing the sword cut through 270 degrees. Step right and palm strike left, timing the move so that the sword drops to the knee when the strike is fully extended in the right bow and arrow. When doing the palm strike, keep the right arm fully extended and pull the sword tip back to the kneecap.

                           

Draw the pronated left hand to the axilla and step back to a left lazy Rooster stance. Drop the sword tip down and turn the edge out in the 3 o'clock position. Circle the blade inward around increasing clock positions. When the blade reaches 12 o'clock, step out into right inside empty. When the blade reaches 3 o'clock again, step in to right Bow and Arrow. Block down with the left and then thrust up with the sword. The downward blocking left hand continues in a circle to a left temple block.

                         

Repeat the sequence 1 and a half more times ending in a palm strike in a right Bow and Arrow.

                         

 

                                  

                                

 

                      

 

Golden Rooster Standing, Displaying the Sword at Will

Crescent step left to a left High Tiger. That is, step the left foot in to touch the right calf without letting the left foot touch the ground.  Step out left to a left High Tiger stance.  Block with pronated left palm at shoulder height and fan the sword, edge up, to the center of the chest.

 

Sweep to a left Rooster stance. Draw the butt of the sword to the chest and cover the grip with the left palm. Block out left and thrust sword out, edge down.

   

Drop the sword tip, washing the sword vertically and hop into a right empty stance. Circle the blade to the right knee and cover the spine with the left hand.

          

Jump up Vigorously, Hitting the Tiger

The left arm is fully extended when executing this posture. From the empty stance with the sword by the right knee and left palm above the spine of the sword, lift the left palm and thrust the sword through the cubital fossa of the left arm. Left hand grips the sword with both arms fully extended in the center of the chest.

          

Sweep to rooster, hands overhead, chop with right hand everted, toe kick right on the diagonal.

 

Step down to standing position, folding the sword handle to the center of the chest and keeping the right hand extended.  Step out left to a right Tai Chi stance and block past the left knee with the sword butt.  Twist to the right to, punching past the left hip with the right hand and executing a temple toss with the left while shifting to a left High Tiger stance.  The timing varies with individual body type. When hitting the tiger stance, keep the knee bent over the toes and then turn the waist.

                     

Turn the left toes in 90 degrees and sweep to rooster a left Rooster stance while bringing the right fist to meet the sword overhead.  Sweep both hands down along the sides while stepping out right to a left Tai Chi Stance.  Circle the left, sword bearing hand in a clockwise arc above the head then thrust down past the right hip as you temple toss right and twist into a right high tiger stance. 

                                  

Lift the sword and bring down the right hand so that they meet in the center of the chest .  Lift the hands above the head sweep to a left Rooster.  Chop down with the hands, left holding the sword and right everted as you toe kick right along the center of the body.

              

 

Application:

Block a 5 with the sword and strike with a hooking punch to the ribs. Lift the opponent's arm and strike to the face.

Spread Slantingly the Sword as the Walking of a Duck

From the front toe kick with both arms extended to the side, move the arms in the horizontal plane until the right hand grips the sword when the hands meet in the center of the body. The left hand then traverses the plane in the opposite direction, palm out, as the sword chops. At the end of the sword strike, the left fingers face forward.

     

When blocking while holding the sword in the left hand, the right hand passes under the left so that the hands are in a cross block position.  When chopping, draw the sword in a horizontal plane to the chest at shoulder height after the kick. When chopping, the block is in the horizontal plane, so the palm faces out and the fingers face forward. 

Turn the Sword to Push the Boat Downstream

Out step, hooking step, rooster perpendicular to form line, cut and turn so knee is on the form line. Make sure that the sword cut leads the way. Complete the hooking step and turn exactly 90 degrees. Sword leads the way into the right Rooster stance. Step out to the left bow and arrow stance and palm strike left while pulling the sword tip to the right knee.

      

               

Three Sounds of the Sword between the Chest and the Waist

Shift back to the right Rooster and press to a left bow and arrow stance. Guard the right axilla with the left hand and cut behind at shoulder height. Turn the left toes out, block horizontally as in Brush the Knee, Twist the Step and step forward to a right bow and arrow while cutting forward with the sword.