Dark Stream School
1. Tzu, Ji -
Hit with the tip of the sword.
3. Pi - Chop
or Split. Cut with the middle part of the sword
5. Xi, Hsi -
Wash horizontally or vertically.
6. Ke, Ge -
Block with the cheek, spine of the sword
8. Peng, Beng
- Burst, Explode
13. Chiao, Jiao
- Stir or wrap
The sword is composed
of
·
the upper edge
·
the lower edge
·
the cheek
·
the tip
·
the guard
·
the handle
·
the butt
·
the tassle
The jian is a tapered
blade that is sharpest near the tip and dull at the guard.
The grip is wherever
the hand takes hold of the sword. Traditionally, the sword is taught right
handed, so the typical grip is with the right hand, thumb and index finger near
the guard. To allow flexible maneuver, the main grip is with the middle and ring
fingers with the thumb and index finger acting as guides. To give power to the
cut or thrust, all fingers close at the moment of impact.
Sword finger is made by
pointing the index and middle finger and closing thumb over the ring and small finger.
Sword finger is used to add contralateral force to the actions of the sword, to
guard vulnerable points on the body, to deflect the opponent's weapon, or to
attack soft tissue targets.
1. Thumb up (Chung
Yin)
2. Thumb up, diagonal
pronated (Shao Yin)
3. Palm down (Tai
Yin)
4. Thumb down,
diagonal, pronated (Lao
Yin)
5. Thumb down, pronated
(Chung
Yang)
6. Thumb up, diagonal
supinated (LaoYang)
7. Palm up (Tai
Yang)
8. Thumb down, diagonal
supinated (Shao Yang)
Note
that these align with the gua of the same name.
There are 13 Tai Chi
sword methods. They are better thought of as sword energies. They correspond to
the 8 gates and 5 steps of Tai Chi. The actual correspondence will be forthcoming,
but let’s start looking at the Fa or Method.
1.
Tzu, Ji -
Hit with the tip of the sword.
·
This is a slashing attack
where the wrist and arm travel through the full range of motion.
·
Attack can be done
vertically, horizontally or diagonally with the forehand or backhand.
·
This is a thrusting attack
where the sword starts near the center of the body with elbows bent and then
the arms are fully extended.
·
Stab with edge up, thumb up
to bow and arrow stance, forward
·
Stab with edge up, thumb
down to a bow and arrow stance, forward
·
Stab with edge up, thumb up
to bow and arrow stance, reverse
·
Stab with edge up, thumb
down to a bow and arrow stance, reverse
·
Stab with cheek up, palm
down to a unicorn stance
·
Stab with cheek up, palm up
to a unicorn stance
3.
Pi - Chop or Split. Cut with the middle part
of the sword
·
This attack is similar to
the hit, except that the wrist is held flexed so that the sword and the forearm
form a 90 degree angle.
·
Chop vertically, forehand or
backhand
·
Chop diagonally, forehand or
backhand
·
Put the sword on the
opponent and flick the wrist to cut the opponent. This method is done by
extending the wrist. It can be done vertically or horizontally. Essentially, it
entails opening the wrist joint.
5.
Xi, Hsi - Wash horizontally or vertically.
·
Horizontally, meet at attack
with the sword held forward at shoulder height. Rotate the tip towards the face
in a clockwise circle, leaning the head back to clear the attack with the sword
beneath the opponent's. As the circle continues, the sword switches to be above
the opponents so that an attack is possible.
·
Meet a thrust with the
inside cheek of the sword, go over the top of the sword and thrust behind while
pivoting to a high lotus, continuing the momentum of the opponent’s attack
while deflecting it. Bring the sword around to stab over the opponent's sword
6.
Ke, Ge - Block with the cheek, spine of the
sword
Meet a
thrust with the inside or outside cheek of the sword. Deflect a chop or hit.
Cover from above and raise up from below.
·
Meet the opponent's attack
with your own attack .This consists largely of moving into the opponent's
motion as is comes to you. So you could file the wrist from underneath while
moving into an empty stance. You could also push into the wrist with the lower
edge of the sword as you shift back into an empty stance.
8.
Peng, Beng - Burst, Explode
·
Flex the wrist up and draw
the sword back, keeping the elbow straight. Explode forward, keeping the elbow
straight and extending the wrist.
·
This is like drawing an
arrow in a bow and releasing it.
·
Stab downward by extending
the wrist. Extend the wrist powerfully in Tai Yin grip.
·
This method is performed by
lifting with the lower edge of the sword from the shoulder. The tip points down
and in as you catch the opponent's wrist and lift with the sword edge.
·
Follow the direction of the
opponent's sword attack.
11.
Press
·
Push the opponent's sword .
Make contact and then move it out of the way with the sword cheek.
·
This method is performed by
flexing the wrist. As with Chou Fa, it can be done vertically or horizontally.
It's essential motion is to flex or close the wrist joint. It's a plucking
method done with the sword tip.
13. Chiao,
Jiao - Stir or wrap
·
Slice the opponent's wrist
by placing the sword tip on the wrist and rotating the blade in a clockwise or
counterclockwise direction.
·
If the opponent is trying to
gain advantage by leveraging your sword, stir in the direction of his energy,
this neutralizes his attack and presses your own. For example, suppose you use
a straight stab at the opponent and he counters using the Lift technique. In
this technique, he uses block, wrap and raise methods. Counter his wrap with a
wrap of your own and the raise is neutralized.
1.
Summary
Table
|
Element |
Energy |
Hand Position |
Method (Fa) |
Name |
Description |
|
Tai Yang |
Ward Off |
Palm Up |
Chou |
Lash / Draw |
Nick by drawing the blade across opponent |
|
Lao Yin |
Pull Down |
Palm Down, Thumb Down |
Chi,Ci |
Pierce / Thrust |
Stab with tip by straightening bent elbows |
|
Chung Yin |
Press |
Thumb Up |
Ti |
Raise |
Pluck with the sword tip, striking the opponent
from underneath |
|
Shao Yin |
Shoulder Strike |
Palm Down, Thumb Up |
Peng |
Felling, Bursting |
Point. Stab, keeping arm straight and flexing
wrist |
|
Tai Yin |
Roll Back |
Palm Down |
Tai, Dai |
Carry, Take Back |
Move sword edge in the same direction as
opponent's attack |
|
Lao Yang |
Split |
Palm Up, Thumb Up |
Tzu, Ji |
Hit |
Strike with the sword tip. |
|
Chung Yang |
Push |
Thumb Down |
Ke, Ge |
Blocking |
Block with the cheek of the sword |
|
Shao Yang |
Elbow |
Palm Up, Thumb Down |
Tien, Dian |
Pointing |
With palm down, extend the wrist to attack with
the tip |
|
Metal |
Advance |
|
Chiao, Jiao |
Stirring |
Wrap the sword tip around the opponent's wrist |
|
Water |
Beware Left |
|
Pi |
Splitting, Chopping |
Cut forcefully with the middle part of the
sword |
|
Wood |
Withdraw |
|
Ya |
Press |
Push with sword edge or spine |
|
Fire |
Look Right |
|
Chieh, Jie |
Intercept |
Meet the attack with an attack |
|
Earth |
Central Equilibrium |
|
Hsi, Xi |
Clearing, Washing |
Vertically, Push the boat down stream. Horizontally, Cloud Sword |
2.
Practice
guidelines
Practice these methods
in conjunction with stance work. Form a basic appreciation of how the sword
handles in attack and defense. These energies and applications are expanded
upon and combined in the Shaolin Sword Methods. For a meditation on dissolution,
identify the energies when doing form work, tracing form postures back to
stance and energy. For a meditation on generation, free spar and observe the
energies emerging from your training into you combat.