Black Sash
Training Manual
Doug Floto
April, 2003
Hsing Yi Wu Hsing - 5 Element Forms
Hsing Yi Wu Hsing Lian Wan Chuan - 5 Element Linking Fist
Hsing Yi Wu Hsing Sheng Ke Chuan - 5 Elements Combat Form
Ba Sil Chuan - 8 Postures Form
Jia Sil Chuan - 12 Animals Form
An Shen Pao Chuan - Hsing Yi Long Combat Form
Hsing Yi Chyang - Hsing Yi Spear
Hsing Yi Jian - Hsing Yi Double Edge Sword Form
Lineage
General Yu Fei
Li Neng Ran (Li Luo Neng)
Kuo Yun Shen
Wang Xiang Zhai
Giang Yung Chien
Grandmaster Kwok Wong I (Peter Kwok)
Ta Jia Li (Sifu)
Peter
Kwok's Hsing Yi teacher was Giang Yung Chien.
The elements of Grandmaster’s
system are outlined below. Sifu’s was
a clipped wing understanding, so to speak, in that he did not have the Swallow
and Rooster forms, nor did he have an articulate grasp of the internal
principles. I learned Hsing Yi
internals from Rick Taracks and Yan Gao Fei.
I learned the Swallow and Rooster forms from Dominick Ruggieri.
The Chinese martial arts community regards the Hsing Yi Spear as the highest form of the art, so I
have added Jiang Jian Ye’s form to my studies.
Hsing Yi moves are based on the spear. It is similar in this way to Aikido, which is based on sword
cuts. Yan Gao Fei says that Chen Tai
Chi Chuan is based on the Kwan Dao. So, to master Hsing Yi, you need to learn
the Hsing Yi spear form. Pi Chuan
(Splitting Fist, Metal) is based on slashing, Tsuan Chuan (Drilling Fist,
Water) is based on parrying and thrusting, Beng Chuan (Crushing fist, Wood) uses
the spear thrust as its model, Pao Chuan (Cannon fist, Fire) uses an upper cut
slash as it's model and Heng Chuan (Crossing Fist, Earth) is based on block and
thrust.
I once spoke with
a Tae Kwon Do master about my practice.
I was playing with the broadsword and asked him if he’s like to learn
it. He said, ‘I'll master the empty
hands before taking on weapons.’ I
couldn’t let that go, so my my answer was 'You can't master empty hands without
mastering weapons'. Weapons are
amplifiers for training. They allow you
to see your mistakes more clearly.
Finally,
I was doing a comparative study of double edge sword forms, so you’ll find Mike
Patterson’s Hsing Yi Jian described here as well.
Hsing
Yi ‘s Ba Zi Gong (Ba Tze Gong) or 8
Character Secret is the foundation of Ba Sil Chuan. I’m researching this now and will have an update for you in the
near future.
Hsing
Yi means Body-Mind, so Hsing Yi Chuan is Body-Mind Boxing. It is based on 5
Elements theory.
Tai
chi is the foundation, Hsing Yi the walls, and Pa Kua the roof of your martial
arts.
The essence of Hsing Yi is Bear and Eagle. Bear sinks and loads, Eagle expands and expresses.
Hsing-Yi
is divided into two components: 5
Elements, 12 animals
The 5
Elements are
Metal
Water
Wood
Fire
Earth
|
Element |
Season |
Meridian |
Action |
Pinyin |
English |
|
Metal |
Fall |
Lung |
Chop |
Pi Chuan |
Splitting
Fist |
|
Water |
Winter |
Kidney |
Spring |
Zhuan
Chuan |
Drilling
Fist |
|
Wood |
Spring |
Liver |
Bounce |
Beng
Chuan |
Crushing
Fist |
|
Fire |
Summer |
Heart |
Burst |
Pao Chuan |
Cannon
Fist |
|
Earth |
Summer/Fall |
Spleen |
Side |
Heng
Chuan |
Crossing
Fist |
Twelve
animals divided into two categories - Beasts, Birds
Twelve
animals are:
Birds Beasts
Swallow Turtle
Dove Snake
Rooster Monkey
Falcon Tiger
Eagle Horse
Bear
Dragon
The Peter Kwok Hsing Yi system
is composed of the following forms:
5 Elements
Metal
Water
Wood
Fire
Earth
Hsing Yi Wu
Hsing Lian Wan Chuan
Hsing Yi Wu
Hsing Sheng Ke Chuan (Combat Form)
12 Animals
Dragon
Bear
Tiger
Turtle
Snake
Horse
Monkey
Eagle
Dove
Falcon
Swallow
Rooster
Ba Sil Chuan
Ja Sil Chuan
An Shen Pao
Chuan 12 Animals Combat Form
For a
total of 22 forms.
For my
own practice I’ve added Hsing Yi Jian (Double Edge Sword) and Hsing Yi Chyang
(Spear)
Chinese
names of 5 elements: Wu Hsing
Metal
is Gin, Water is Sui, Wood is Mo, Fire is Hwa, Earth is Tu.
5
elements theory applies to martial arts by classifying various attacks and
defenses according to their properties in relation to the 5 elements. The
relationship between the elements is then used to determine the appropriate
response.
5
elements theory applies to medicine in that 5 elements are associated with
major organs. Flow of energy through the organs can be overabundant or
insufficient. Accupuncture detects the abundance or deficiency and corrects it
by understanding the flow and the relationship among the elements.
When
using the 5 elements in combat the main idea is to continue the flow of the
opponents energy and transmute the attacking element to its next constructive
cycle element by using a destructive cycle response. Example: If the opponent
uses Metal attack, use a Fire defense to transmute Metal into Water.
Constructive
cycle is Metal creates Water. Water creates Wood. Wood creates Fire. Fire
creates Earth. Earth creates Metal.
Constructive
cycle is called the Sheng cycle.
Destructive
cycle is Metal chops Wood, Wood splits the Earth, Earth dams Water, Water
quenches Fire, Fire melts Metal. Destructive cycle is the Ko cycle.
Chi Circulation
Chi
flows through the meridians in accordance with the hours in the day. The
Mnemonic used is a clock face divided into 3 stations, the 11 o'clock station,
the 3 o'clock station, and the 7 o'clock station. The clock face has two
concentric circles, the outer circle is Dark Night, the inner circle is Day
Light. Each station has a mnemonic phrase associated with it and by writing the
phrase so that one word is above the outer circle and one phrase is above the
inner circle, you have a description of the circulation of chi in the meridians
by hour. The 11:00 mnemonic is Gumball Headache, the 3:00 station mnemonic is
Bland Laughter, and the 7:00 mnemonic is Stupid Circus.
Dark
Night is comprised of Gumball, Laughter, and Circus.
Day
Light is comprised of Headache, Bland, and Stupid
The associations
are as follows:
|
Mnemonic |
Meridian |
Hour |
Complement |
Hour |
Element |
|
|
Gumball |
Gall Bladder |
23:00 |
Liver |
01:00 |
Wood |
|
|
Headache |
Heart |
11:00 |
Small Intestine |
13:00 |
Fire |
|
|
Bland |
Bladder |
15:00 |
Kidney |
17:00 |
Water |
|
|
Laughter |
Lung |
03:00 |
Large Intestine |
05:00 |
Metal |
|
|
Stupid |
Stomach |
07:00 |
Spleen |
09:00 |
Earth |
|
|
Circus |
Triple Warmer |
11:00 |
Pericardium |
21:00 |
Fire |
|
Repeated practice will stimulate the meridian associated with the fist you practice. You will feel warmth and comfort in the associated organ. You will feel activation of the meridian along its length from the beginning point to the end point. I can attest to this because I have run each of these forms continuously for two hours at a time. At the end I sat down and meditated. I could feel the organ and its meridian very clearly.
Remember
to keep posture in alignment. That means that the hand is aligned with the
foot, the elbow with the knee and the shoulder with the waist. On the hand
which is closest to the waist, the elbow is out. The real lesson is to
accentuate sinking the chest and raising the back. Keep to an equatorial
stance. All roosters are lazy roosters. Do not bob. When doing Hsing Yi, the
toes always grip the ground.
It is important
to remember to maintain the harmonies when you are doing Hsing Yi. The foot and
hand, the knee and the elbow, the shoulder and the hip must be properly
aligned.
Relax
and maintain elasticity. Elastic collisions impart much more force. All
striking is relaxed and is based on timing. The force in all blows is timed
from the landing, not from the leap.
Use
wrist eversion or flexion and rapid pronation or supination of the hand to
deliver power into the opponent when you strike. Hsing Yi power comes from
using the breath in conjunction with pulsing the strike and these hand position
changes. Timing, needless to say, is everything.
On
wood, for example, strike with the knuckles of the index and middle fingers and
then evert the wrist.
On
water, again strike with the two knuckles, but then flex the wrist in timing
with the pulse.
When
using earth, the rapid supination of the wrist is used to generate striking
power.
Horse
spirals downward into the solar plexus by using rapid pronation of the fists
Double
fist strike to Stomach 25 (something like dove but rotating fist hearts down)
also uses the spiraling of the fists to deliver a downward component.
One
item of special note: Hsing Yi strikes are "Dinky little pokes". That
is to say, that the power does not come from the rapid extension of the arm and
shoulder. Most of the arm extension is used up in the clean that is done on all
Hsing Yi strikes. You have to pulse your strikes with the whole body and an arm
extension of 2-4 inches at most. Practice Hsing Yi forms with coil/snap of
breath coordination to develop power. In Wood, the power comes from coiling,
not from the rear foot. Sifu can get power without even placing the foot on the
ground. Time the strike and the landing from the leap with the out-breath to
get power. Sifu said the same is true for the other elements. So don't worry
about the rear foot.
Should
be sore in 2 main places from practicing speed punching - Lats and distal end
of bicep. All muscles are active across 2 joints. Bicep at shoulder and
forearm. Proximal end of bicep only active on lifting of arm. Distal end in the
flexion of forearm. This should be sore as a result of retracting the fist on a
punch.
Massage
bruises in the direction of the heart to reduce swelling and aid healing.
Five Element Fist Chart
|
Element |
Mnemonic |
Name |
Action |
Stance |
Alley |
|
Metal |
yin foil |
Yin |
Chops |
Open/Wide |
7, 1, 3 |
|
Water |
chop suey |
Suey |
Springs |
Open/Wide |
8, 2, 4 |
|
Wood |
Moohogany |
Mo |
Bounces |
Closed |
Low 9 |
|
Fire |
Hot |
Hwo |
Cannons |
Narrow /
Medium |
High 9 |
|
Earth |
Tu-rrestrial |
Tu |
Sides |
Narrow /
Medium |
5,6 |
Five Element Meridian Chart
|
Element |
Meridian |
Begin |
Location |
End |
Location |
Bear |
Eagle |
|
Metal |
Lung |
Lu 1 Zhong Fu, Central Treasury |
Upper Chest |
Lu 11 Shao Shang, Lesser Shang |
Thumb |
In |
Out |
|
Water |
Kidney |
DU 4 Ming Men, Life Gate |
Small of Back |
K1 Yong Kuan, Bubbling Well |
Bottom of Foot |
In |
Out |
|
Wood |
Liver |
Lr 14 Qi Men, Cycle Gate |
Rib Cage below nipple |
Lr 1 Da Dun, Great Pile |
Outside edge of big toe |
Brush in |
Brush out |
|
Fire |
Heart |
H1 Ji Chuan, Highest Spring |
Arm Pit |
H9 Shao Chong, Lesser Surge |
Pinky |
In |
Out |
|
Earth |
Spleen |
Rn 3 |
Below navel |
Spleen 1 Yin Bai, Hidden White |
Inside edge big toe |
In |
Out |
Note that Du is Du
Mai or Governing Vessel, up the center back.
Rn is Ren Mai or Conception Vessel, down the center front.
Each
form has
·
Opening
·
Form
·
Application
·
Turn around
·
Close
All
Hsing Yi forms have the same opening move.
Stand
with feet together and hands at sides in Hsing Yi palm. The stance is similar
to the Tai Chi Chiang Chuan. Supinate the wrists, raise palms to shoulder
height and rotate at the elbow. Drop the hands, palm down, to the tan tien.
Form fists, supinate the wrists so that fist hearts are up, bend the knees and
sink.
Bring
the right fist up the center of the body and punch out of the mouth. The fist
on this strike is inverted by supinating the wrist a far as possible. Place the
left fist in the right elbow joint and then open the hands. Clean the left
elbow with the right hand and chop with the left Hsing Yi palm to a left
equatorial stance.
Posture
Check:
The big toe of the left foot is
aligned with the left knee, the left hip, the left shoulder, the left elbow and
the left index finger.
Sink the chest, raise the back.
The right hand is open and palm
down to the right of the tan tien.
Hsing
Yi Breathing Pattern
Same as Tai Chi. Receive energy
on the in breath. Express energy on the out breath.
The application
of a particular element follows the destructive or Sheng cycle. In this cycle,
Metal chops Wood, Wood splits Earth, Earth dams Water, Water quenches Fire, and
Fire melts Metal.
Metal is more forward than down
in its direction. Metal attack covers the alleys of 1, 7, 3.
Water
attack covers the alleys of 2, 8, 4.
Wood attack covers the low to
mid 9 alley.
Fire
attack covers the mid to high 9 alley
Earth
attack covers the 5 and 6 alleys. Earth is made powerful by striking with the
radius and by using contralateral motion.
Metal (Yin) (Pi
Chuan) (Splitting Fist)
Metal directly stimulates Lu 1 Zhong Fu, you should feel stimulation down to end of lung meridian in thumb Lu 11 Shao Shang.
From
the end of opening move, sink back to a right lazy rooster while closing fist
and circling it up the center of the body. Step forward to a left equatorial
stance and cobra punch.
A
cobra punch is similar to an uppercut but it is done with extreme supination of
the wrist. This forces the elbow down and in to the center of the body. The
strike is focused on the knuckles of the index and middle finger. Leave the
fist heart down on the hand by the waist.
Open
the left hand, palm up. Place the right fist in the crook of the left elbow and
open it with palm facing up. Both hands are open at start of attack. Step up to
a left lazy rooster. Leap into a right equatorial stance, clean the right elbow
with the left palm and chop with a right Hsing Yi palm.
Application
The
cobra punch receives a low 9 and deflects it, returning an uppercut to the
opponent.
The
clean of the elbow deflects a mid - high 9 downward. The alternate hand chops
(a 7) with a Hsing Yi palm. The clean must push the blow below the elbow of the
chopping hand, otherwise the opponent will be able to block it.
Metal
will dislocate the shoulder with little effort. Strike the humerus at the
midpoint with the forearm. This is the perfect vector for dislocation.
Demonstrated on me by striking until slippage felt in the glenoid fossa. Sifu
gave graphic description of how to dislocate shoulder. Extend arm to rear and
strike from rear forward and downward or extend the arm to front, strike from
front tor rear and downward. If you supinate opponents wrist and then struck
the head of the humerus that she obtained the desired result.
Turn
Around
On all
turn-arounds, pivot on the toes. From end of chop, form fists, fist heart up.
Circle chopping hand until fists meet at tan tien. Pivot heel-toe to face
opposite direction. Cobra punch.
Close
Step
back to opening stance and circle arms to tan tein. Close.
Water (Sui)
(Tsuan Chuan) (Drilling Fist)
Water directly stimulates Du 4 Ming Men, should feel all the way down to K1
Yong Quan (Bubbling Well) on the bottom
of the foot..
From
the end of the opening move, sink back to a right lazy rooster. When stepping
back into a left equatorial stance, turn the left hand palm up and the right
hand fist heart up. Place the fist in the crook of the left elbow while rising
to a left lazy rooster. Clean the elbow with the left palm and leap to a right
equatorial stance, delivering an uppercut with the right fist while pulling the
left fist, fist heart down, to the tan tien. Set up the hands by dropping both
to waist height. Fist at waist is heart up. Fist extended is eye up.
Application
Clean and deflect an incoming
high 9 blow while delivering a high 8 punch.
Turn
Around
Same as Metal
Close
Same as Metal
Wood (Mo) (Beng
Chuan) (Crushing Fist)
Wood stimulates Lr 14
Qi Men below the nipple on the rib cage because the elbow brushes
it. Feel the liver meridian into the
big toe Lr 1 Da Dun. Also stimulates
the Gall Bladder meridian at GB 25 Jing Men on the side below the floating rib. Feel the effects in Gb 44 Qiao Yin on the
little toe.
From
the end of the opening move, both hands form fists. The left fist is parallel
to the floor, fist eye up. The right fist is fist heart up at the waist. Roll
the left elbow in so that the left fist heart is facing up and the forearm is
in your center. Place the right fist in the crook of the left elbow while
shifting weight to right foot. Leap off the rear foot to a left "t"
stance and punch to a mid 9 with the right hand. Note that the left foot still
leads and that the right hand is punching. In this form, the punching hand is
always opposite the lead foot.
To
continue, take a half step forward, come up to a lazy rooster with the left
hand in the crook of the right elbow. Leap to a "t" stance and punch,
pulling the right hand to the waist, fist heart up.
Application
Clean and
deflect a 5 or 6, deliver a mid 9 punch.
Turn
Around